Ludus Tonalis is, more or less, the equivalent of Bach's Preludes and Fugues for all the major and minor keys.
More tracks like Paul Hindemith - Ludus tonalis: No. the Ludus Tonalis, there are more than twenty sketches for the Prelude-Postlude pair. Ludus Tonalis or the play of tones, along with his three piano sonatas, are the very best of his piano music.Playlists containing Paul Hindemith - Ludus tonalis: No. The cycle of fugues is introduced and concluded by a Praeludium and Postludium, the second formed by turning the Praeludium upside. Ludus Tonalis can be thought of as the most direct application of Hindemiths theory that the twelve tones of the equally tempered scale all relate to a single. Ludus Tonalis ('Play of Tones', 'Tonal Game', or 'Tonal Primary School' after the Latin Ludus Litterarius ), subtitled Kontrapunktische, tonale, und Klaviertechnische bungen ( Counterpoint, tonal and technical studies for the piano ), is a piano work by Paul Hindemith that was composed in 1942 during his stay in the United States.Users who reposted Paul Hindemith - Ludus tonalis: No.Users who like Paul Hindemith - Ludus tonalis: No.Recorded on May the 16th, and I have just received the recording, so am happy to share it. Just being on the stage, at this decisive moment, I finally understood all the subtleties to make an interesting interpretation, and, thanks to the operator, the moment was caught. Hindemith - Ludus Tonalis (1943) part 1 Sviatoslav Richter 1985 The spirit of the Well Tempered Clavier is reincarnated in the 20th century in Hindemith's Lu.
At this moment I understood, that visiting his lectures was truly worth it. The idea of playing this piece came in the distant December, when my harmony professor on one of the last lectures of the course showed the impressionistic Präludium. Music of the German composer stands out due to its distinctive, idiosyncratic intellect, and though historically Hindemith seems to be considered as a founder of neoclassicism, as well as its main representative, in practical terms his musical language and other means of expression are likelier to bring the composer forward to J.
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